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Introducing Creative Tourism: what is this and why is it valuable for community empowerment

July 12, 2022.

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Creative tourism at the unwto world gastronomic tourism forum, creative tourism is entering france through the front door, at top resa, les escapades (québec), awarded at the creative tourism awards, successful international conference on culinary and creative tourism – tunisia, creative tourism awards … and the winners are… , un tourism congress: andorra, creative destination for mountain tourism, salvador de bahia (brazil) awarded “world best creative destination”, creative tourism seduces the wtm – london, the creative tourism network® wins prestigious a world for travel awards, creative tourism congress in the philippines, fitur is committed to creative tourism – orange tourism, experiences, braid making, modeling technique of a small stoneware piece , performing tour , valparaíso | chile, grape harvesting at quinta da tôr, scented and floral vegetable candle making workshop with ombellessence, “tapas” workshop in barcelona, fooding experience, barcelos pottery, ceramic workshop in thailand, routes to hydrangea and orchid crops, djerba | tunisia, saint-jean-port-joli | quebec, wood carving workshops, street art with vsa tour , limaçon – stone-cutting workshop, living in island of gods, olha recife, routes through the moravian hill, create textile pieces to enjoy traditional catalan festivals in a sewing workshop, routes through the commune 13, wool & felt workshop with miel de oveja, beekeeping workshop in quito, the earth colors, biot – catalog of creative experiences, body expression, baguio | philippines, creation of a drop-down book in star format in an art-studio at the poble espanyol, sining eskinita , algarve cataplana, live a photographic experience in biot, up fab lab 3d printing , thai creative art in thailand, tozeur | tunisia, cooking workshop & spirulina , tours to enjoy street food, yunguilla community tourism, we’ve crochet café knitting workshop , iloilo | philippines, zabalartes-old toys making workshop in quito, cévennes cooking workshop, illustration workshop with calamina, travel sketchbook, aromalight workshops, spinning and weaving of linen, oenological games, ceramic workshop at the charming emo etar, empordà-style decoration workshop, national museum cebu, success stories, the tourist board of la bisbal d’empordà wins the innovation award 2023 of catalonia, barcelos inaugurates its house of creativity, the îles de la madeleine: a model of creative tourism, how to spend 1 day in the empordanet: a creative itinerary, gabrovo humour carnival, new horizons: gabrovo, between magic and traditions, creative friendly destinations, cannes | france, kingston | jamaica, perpignan-méditerranée | france, les îles-de-la-madeleine (magdalen islands) | quebec, barcelona | spain, ibiza | spain, biot | france, recife | brazil, empordanet | catalonia, anduze | france, nabeul | tunisia, dahar | tunisia, barcelos | portugal, loulé | portugal, around louvre-lens | france, cebu | philippines, charentes | france, gabrovo | bulgaria, medellín | colombia, sfax-kerkennah | tunisia, quito | ecuador, nicosia | cyprus, interview with yonka bakardzhieva-agalova – my story travel (bulgaria), interview with nicolas monquaut (french ministry of culture), marijana biondic, crikvenica (croatia), la tavola marche (italy), interview with ivana jelinčić, world championship in olive picking (postira, brač island, croatia), interview with sabrina pratt, svpratt creative strategies – las cruces arts and cultural district plan (new mexico, usa), rupanjana de, touriosity travelmag, marina simião, patchwork methodology (brazil), dr mervat abdel-nasser, new hermopolis (egypt), interview with carol hay, director of marketing uk & europe for the caribbean tourism organization, catherine and sophie, la méduse (iles de la madeleine, canada).

Creative Tourism and Creative Tourists: A Review

• First Online: 29 September 2022

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• Shawn Li 3 &
• Gareth Shaw 4  

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Over the last two decades, creative tourism has been used in many countries to create tourism products, enhance the destination image, and develop sustainable tourism. This new type of tourism shifts the experience away from tangible sites towards the intangible heritage of the destination. Visitors develop their creativities through participation and engagement in the learning experience that is characteristic of local destinations. Due to its nature of growing the local economy through local skills and intellectual property relating to creativity and culture, creative tourism is seen as an extension of culture tourism that contributes to the creative economy. The concept and framework of creative tourism brings together an ecosystem that enhances the destination attractiveness and stimulates creative exports (OECD, Tourism and the Creative Economy, OECD Studies on Tourism . https://doi.org/10.1787/9789264207875-en , 2014). This paper reviews the birth and growth of creative tourism and the marketing theory underpinning this new type of tourism. A meta-analysis follows this to exhibit the recent output relating to the motivation to take creative tourism.

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Li, S., Shaw, G. (2022). Creative Tourism and Creative Tourists: A Review. In: Powell, P., Shankar Nayak, B. (eds) Creative Business Education. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-10928-7_12

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Creative Tourism: Activating Cultural Resources and Engaging Creative Travellers

This book provides a synthesis of current research and international best practice in the emerging field of creative tourism. Including knowledge, insights, and reflections from both practitioners and researchers, it covers types of creative tourist, trends, designing and implementing creative tourism products, embedding activities in a community and place, and addressing sustainability challenges. Applying lessons learned from the CREATOUR project and other initiatives, the editors present key information in an actionable manner best suited to people working on the ground. The book: - Addresses important issues such as local economic benefit, social and collaborative economy, community engagement, social inclusion, youth empowerment, cross-cultural exchange, and responsible travel. - Provides a core, introductory text plus a wide range of cases examining creative tourism development in practice in 15 countries: Austria, Brazil, Canada, Colombia, Denmark, Finland, Kenya, Namibia, Portugal, the Netherlands, New Zealand, Slovenia, Spain, Thailand, and the United States. - Includes colour photos, diagrams, text boxes, and call-out quotations throughout to help guide and engage readers. A vital resource for tourism agencies, practitioners, planners and policymakers interested in developing creative tourism programmes and activities, this book will also be of interest to cultural and creative tourism researchers, students, and teachers of tourism and culture-based development.

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greg richards

Paper presented at the International Conference on Creative Tourism, Barcelona December, 9th - 10th 2010. Creative tourism is a concept that only formally defined a decade ago, but in the intervening years it has seen a significant growth worldwide. The range of presentations at this conference on different creative tourism programmes from all corners of the globe is a clear indication of how widespread it now is. In this presentation I will try and set out some of the reasons for this growth, the different forms of creative tourism that have developed and the challenges that remain for those involved in this new sector of tourism. My basic argument is that the growth of creative tourism has been driven by both production and consumption related forces, and that the maximum benefit can be derived by creatively combining the efforts of both producers and consumers to develop new experiences that both engage and transform participants and host communities alike.

Presentation at the World Travel Market Conference on ‘Creative Tourism: All that you need to know about this growing sector’, November 3rd 2015. Creative tourism is a relatively new niche that is being taken up by destinations around the world. The basic reason for this is the growing dissatisfaction with traditional models of tourism development, and the realisation that the creativity of both hosts and tourists is an important potential resource for the sustainable development of tourism. This brief presentation reviews the important features of creative tourism and how it is changing people’s lives.

A Research Agenda for Creative Tourism

Nancy Duxbury

Tourism and hospitality management

Karmen Mikulić

This chapter reviews the development of creative tourism over the past decade and identifies major trends and practices both from a production and consumption perspective. In particular, this review highlights the shift from tangible to intangible cultural and creative resources as the basis of cultural and creative tourism experiences. A number of different models of creative tourism development are reviewed to illustrate these principles.

Journal of Tourism Consumption and Practice

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This special issue of the Journal of Tourism Consumption and Practice considers many different facets of the creative tourism phenomenon, and examines the ways in which it has been developed in a range of places, ranging from the frozen north of Canada to the searing heat of Mali. The papers that compose this special issue identify trends and challenges in creative tourism development and, despite the emergent critical thoughts on the subject, they tend to emphasise the positive aspects.

Exploring Creative Tourism, Journal of Tourism Consumption and Practice

Lénia Marques , greg richards , Eliana Messineo

This special issue of the Journal of Tourism Consumption and Practice considers many different facets of the creative tourism phenomenon, and examines the ways in which it has been developed in a range of places, ranging from the frozen north of Canada to the searing heat of Mali. The papers that compose this special issue identify trends and challenges in creative tourism development and, despite the emergent critical thoughts on the subject, they tend to emphasise the positive aspects. Journal of Tourism Consumption and Practice, Volume 4, 2012

Domestic and international creative tourists in Portugal: Insights for practitioners

Paula C Remoaldo , Alexandra Rodrigues Gonçalves

A great diversity of definitions of creative tourists exist, ranging from those who refer to visitors of dance, art, or handicraft workshops, to those who include people who take up temporary artistic residences to practice their creative expression and develop their art forms. In recent decades, we have observed the emergence of a new generation of travellers. 1 These tourists are increasingly seeking co-creation processes, leading to more relational forms of cultural tourism, and active participation in creative experiences ( Richards, 2020 ). And yet, pinning down the diverse, nicheoriented creative tourist has been an ongoing challenge. Internationally, a number of studies have been conducted to profile the creative tourist (see Remoaldo et al., 2020 ) but no overarching comparative framework has yet been developed, and in Portugal no study on the creative tourist had previously been conducted. Within the project CREATOUR ® (Creative Tourism Destination Development in Small Cities and Rural Areas), we developed a detailed questionnaire for participants in the creative tourism pilot activities organized within the project, which was applied by the 40 participating organizations as they conducted their pilot activities in 2017, 2018, and 2019. These activities were developed and situated in small cities and rural areas in the Norte, Centro, Alentejo, and Algarve regions of the Portugal mainland. They ranged from small-scale participatory cultural festivals to gastronomy workshops to handicraft, mosaic-making, and other hands-on workshops. The common thread was an aspiration to develop creative tourism activities adhering to the CREATOUR ® approach to creative tourism, which incorporates active participation, learning, opportunities for creative self-expression, and connections to the local community. The questionnaire enabled us to gain insights on socio-demographic characteristics, motivations, behaviours, experiences, and perceptions of the activities – providing a rich source of insights on the creative tourist in Portugal. In this chapter, we present highlights of these questionnaire results, segmented by place of residence (i.e. domestic or international visitors) and suggest some implications of these findings. A motivational analysis of creative tourist participants can be found in Remoaldo et al. (2020) . Based on socio-demographic, travel behaviour, and motivation-based criteria, three clusters were found: novelty seekers, knowledge and skills learners, and leisure creative seekers.

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Creative tourism is a relatively new field of research with most attention directed to creative tourism activities in large cities. Little research has been conducted on creative tourism development strategies in extra-metropolitan contexts. The CREATOUR project aimed to improve understanding of the processes (under different conditions and situations) through which creative tourism activities can be developed, implemented, and made sustainable. This article reports on a national analysis of approaches developed by the project’s participating organizations to offer creative tourism initiatives. At an organizational level, we found five main models: Stand-alone offers, repeated; series of creative activities and other initiatives under a common theme; localized networks for creative tourism; small-scale festivals that include creative tourism activities; and creative accommodations. At a broader community level, creative tourism initiatives can inspire new ideas and avenues of activi...

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Over the last decade, new forms of cultural tourism are being increasingly mentioned as innovative development models of this specific form of tourism. One of these forms is creative tourism which tourism destinations use to innovate their tourism offer. In the Republic of Croatia, this trend is particularly present in summer holiday destinations that aim to reduce their high seasonality with new creative programmes and projects. By introducing a creative offering, tourism destinations can increase their competitiveness in the tourism market and become distinctive by their specific programmes. The paper explores the development in Croatia of both cultural tourism and creative tourism, as an enhancement to a destination’s cultural offering. It analyses the current state of creative tourism and looks at the motivations for tourist arrivals to Croatia, with special reference to cultural attractions and events as a travel motivation. The paper also examines the creative offerings of ind...

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